Splash

Growing Old and Aging

Music From Cradle To Grave

Adapted from the September 1915 edition of The Etude Magazine


Of all the forms of art that intellect has conceived to beautify and bless our lives, to help us to forget and forgive the trials and tribulations of existence, from the earliest emergence of awareness to the last failing perception, none is so intimately associated with our every experience, as music. Music is well named the universal language, not only because it is understood and felt in every land, by every race, but also because it voices and influences the universal experiences of all humanity. None is in such close touch with every phase of life's ebb and flow, of emotions, dreams, hopes, and fears as music. It has been well said that we all love to "emote". We enjoy thrilling to the vividly expressed emotions of others in the strains of great music. It adds so much to our own emotional experience and we are pleased to find the moods we have ourselves felt or imagined, reflected in musical art. It puts us in touch with other minds and hearts. It gives us comfort in feeling that, in joy or in pain, we are one with all humankind. Music is the golden chain whose links bind all humanity in a bond of common feeling and fellowship.

Gods may rise and fall, faiths may wax and wane, creeds be made, modified and abandoned, but music remains, outliving them all. What matters the form or name of the particular cult which music is called upon to serve? The essence, when reduced to the last analysis, is virtually the same; the effect practically identical in every case, from ancient Egypt to modern America. Creeds may falsify the facts, dogmas may deny the fundamental truths they assert, preachers may vilify and blaspheme the very God they claim to serve; but music remains true to the ultimate realities.

In later life, when we have reached the introspective and retrospective age, we are prone to live in memories, rather than in hopes and aspirations. Associations from our youth add a sort of mystic spell to the charm of certain strains of music. The half-forgotten fragment of a tune, heard or recalled by accident, is filled with reminiscences sadly sweet. It will unlock storehouses of memory forgotten for decades and we live again among the refreshed scenes and persons of the long-buried past. This is the secret hold certain old, familiar melodies have on all of us; not their intrinsic worth, but the associations connected with them.

At last, when we come to the end of our days, music provides its last comforts. Tolling bells and muffled minor measures of the funeral march accompany us to our last resting place. As Tennyson said, "Music that gentler on the spirit lies than tired eyelids upon tired eyes". Thus, music is the first, last, best, most constant of our friends among the fine arts. It meets us at the threshold of life with gentle, caressing voices. It cheers and strengthens us to the loftiest endeavors. It quickens our purest, deepest emotions. It echoes our every mood and experience and leave, reluctantly, at last only when its soft, solemn harmonies have muffled the clang of the iron portals of the tomb. Or does it leave us even then? We can only note that in all dreams and pictures of the hereafter, music is the only one of the fine arts which has a place. We don't hear of poets writing or reciting great verses, or of artists painting pictures. But, we do hear of the harp, which is the emblem of instrumental music, and of choral harmonies among the angels, typifying vocal music.

It has been said and often quoted, "Music is the only thing in Heaven we have on earth, the only thing we take to Heaven". In this issue, we've chosen songs that exemplify this journey.

 



To enjoy the full musical experience, we recommend that you get the Scorch plug in from our friends at Sibelius software. The Scorch player allows you to not only listen to the music but to view the sheet music as the music plays and see the lyrics as well. Each month we also allow printing of some of the sheet music featured so for those of you who play the piano (or other instruments) you'll be able to play the music yourself. It's a complete musical experience! Get the Sibelius Scorch player now.

Richard G Beil, March 2012. This article published March 2012 and is Copyright © 2012 by Richard G. Beil and The Parlor Songs Academy. Text, images or music may not be reproduced in part or in total without express written permission of the author..

Cradle Song

1913


Words and Music by: Alexander Mac Fadyn

Long before a baby can understand spoken language, it perceives and responds to the soothing influence of the lullaby, softly crooned by mother or nurse. The child feels the heavy, protective love expressed in these sweet tones. It is quieted by the gentle magic of the soft refrain. This is its first introduction to any form of art - the cradle song. The cradle song is probably the oldest and most widely known and used of all musical forms. The character and moods are always the same and the uniform keynote is maternal love.

Hear this lovely lullaby song ( Scorch format, be patient, long load time, printable)

Listen to MIDI version

Lyrics

 

 


 

In the Little Red School House

1922

 

Words and Music by: James Brennan and Al Wilson


As the child grows, it finds the natural expression of exuberant spirit in the strongly marked rhythms and lively swinging melodies of the simpler forms of music. They whistle or sing at play or as they go hopping and skipping off to school. Upon entering school for the first time, children are filled with a sense of wonder and pride at having finally achieved a "milestone". After a few years, that initial feeling begins to wear off. We can all remember telling our parents at some point, "I'll sure be glad when I'm grown up and don't have to go to school any more". And, the universal reply went something like, "Just you wait. There'll come a day when you'll wish you were back in school, with no worries and no bills to pay". Here's a lively tune that captures that feeling.

This video contains the "patter" chorus that describes an incident to which all of us can relate from our own school days.

Hear and see the score to this song ( Scorch format, printable, be patient for images to load)

Listen to MIDI version

Lyrics

 

 


After the Ball

1892


Music by: Charles K. Harris
Lyrics by: Charles K. Harris
Cover artist: unknown

 

The gaiety and sensuous beauty of the dance, as expressed by the music, appeal irresistibly to the emotions; especially the waltz, which is the love dance, the idealized mating instinct, voiced in alluring melody, like the songs of birds in springtime.

Featured in our October 2001 issue, not only was this the first piece of music to sell a million copies, but it started the "Popular Song" industry.

Aging, regrets, bad choices made, this song has them all. A story being told to the protagonist's young neice, he reminisces and explains how, as a young man, he viewed his true love kissing another man at the ball. He refuses to listen to her attempts to explain, forsakes her, and spends his life growing old, alone and bitter, only to learn after her death that it was an innocent kiss from her brother.

This song is featured on our Parlor Songs Favorites CD.

Listen to and see this great song of folly and growing old. (Scorch format only)

Listen to MIDI version

 

 




Swing Song

1910



Music by: Paul Perrier


A bit later we find the youth and the maiden, in the first flush of adolescence, responding eagerly to the throbbin, sensuous measures of dance music in its various forms. In the Victorian era, and extending into the first decade of the new century, it was considered unseemly for couple to dance in public, unless it was a stately waltz. That began to change. A dance craze swept the nation's urban centers in the early 1900s, led by young women. Soon nearly every neighborhood hall, ballroom and saloon with the space was taking advantage of the phenomenon, and it wasn't long before specialized dance halls sprang up all over Manhattan. By the 1910s, over five hundred public dance halls were in service throughout New York City, and nearly one hundred dancing academies were in operation teaching young people the latest steps.

Listen to and view this song ( Requires the Scorch plug-in, be patient, sometimes a long load time due to graphics)

Listen to MIDI version

Lyrics



And He'd Say "OO-LA-LA WEE-WEE"

1919

 



Music by:

Words by:

The effect which stirring, martial music has on troops, whether on the march or actually going into battle has long been known by military experts; stimulating to courage, fortitude, and patriotism. It is not without good reason that the band is considered as necessary a part of the equipment of every division as the unit flag or its munitions train.


Listen to and view an old song that resonates today ( Requires the Scorch plug-in, be patient, sometimes a long load time due to graphics)

Listen to MIDI version

Lyrics



Huskin' Time

1910


Music by: Albert Gumble
Lyrics by: Bartley Costello


When the soldier returns from his/her campaigns to home and sweetheart, wearing honorable scars and well-earned medals, the love song and the serenade are the appropriate expressions of the next vital experience in life and the priceless reward for which that soldier has toiled and fought. It's time to marry and raise a family. For the fortunate, although our relationship experiences the inevitable "bumps in the road", the years are spent together and we can look back down that road and see fond memories.

Our copy of this piece is a Sunday newspaper supplement from the September 22, 1912 issue of the Seattle Post-Intelligencer. In 1910, when this piece came out, you could also hear for the first time, Down By the Old Mill Stream, Let Me Call You Sweetheart, and the song that would become the theme song for Sophie Tucker, Some Of These Days.


Hear and see this song (SCORCH format)

Listen to MIDI version

Lyrics

 




Bring Back Those Wonderful Days

1919


Music by: Nat Vincent
Lyrics by: Darl MacBoyle
Cover artist: De Takacs


This is the song that started it all. No, not American popular music, but Parlor Songs. Those who have been with us for many years will recall that the original site was inspired by The Forward Collection, Rick's early hobby site, based on a collection of music given to him by his parents. Back in 1996 the very first piece of music that Rick scanned was this tune. Since then, we've grown to over 1,400 songs that have been scanned, athough there are many that have yet to be featured in an article.

As we get older we long for the things that gave us comfort when we where young. In 1919, after 4 long years of horror, World War I was finally over. Prohibition was coming, the Roaring Twenties about to start and, although no one knew it, the Great Depression was just around the corner.

Longing for days gone by is a theme that permeates the history of song to this day. Who doesn't feel the pain and angst of the words of Those Were the Days by Mary Hopkin?

 

Hear the song that started it all (scorch format)

Listen to MIDI version

Lyrics

 




Those Good Old Days Back Home


1916


Music by: Jimmie V. Monaco
Lyrics by: Joe McCarthy


We'll end our musical trip through life with an upbeat tune.

This is the song that started it all. No, not American popular music, but Parlor Songs. Those who have been with us for many years will recall that the original site was inspired by The Forward Collection, Rick's early hobby site, based on a collection of music given to him by his parents. Back in 1996 the very first piece of music that Rick scanned was this tune. Since then, we've grown to over 1,400 songs that have been scanned, athough there are many that have yet to be featured in an article.

As we get older we long for the things that gave us comfort when we where young. In 1919, after 4 long years of horror, World War I was finally over. Prohibition was coming, the Roaring Twenties about to start and, although no one knew it, the Great Depression was just around the corner.

Longing for days gone by is a theme that permeates the history of song to this day. Who doesn't feel the pain and angst of the words of Those Were the Days by Mary Hopkin?

 

Hear the song that started it all (scorch format)

Listen to MIDI version

Lyrics

 


 

Thanks for visiting us and be sure to come back again later to see our next issue or just to read some or all of our over 130 articles about America's music. See our resources page for a complete bibliography of our own library resources used to research this and other articles in our series.

 

If you'd like to contribute an article to us at Parlor Songs, we'd love to have your help and contribution. The "rules" for submissions can be found here, we'd love to have submissions by any of our readers, anytime and would enjoy having a "reader submission" or "favorites" feature from time to time. Heck, get involved, help us out and write a feature for us!