September, 2000 Edition
In Search of American Popular Song;
What's Going On Back There?
or, The Flip Side
Last month we explored vanity music, music as advertising
and advertising in music. This month we continue with that theme but
exploring the other side of the issue; the back side. Not only did publishers
use music itself as advertising or to communicate a message, every bit
of unused space on published music was used to help sell something.
Other songs, pianos, magazines, even performers.
Any of you who collect sheet music are well aware that
the back side of sheet music carries all sorts of advertising messages.
Some of the backs are plain and boring, most were designed to generate
interest and some were more interesting than the front! This month's
edition presents you with a variety of music and explores the back sides
of these great sheets. To see the reverse side of each cover, just place
your mouse on the cover, it will flip over so you can see the back.
When you click on the image, as usual, you will be able to listen to
This month we continue our new format for the presentation
of our music, SCORCH. Scorch is a plug in for your browser that
will allow you to not only listen to our songs but to view the playing,
real time on sheet music WITH LYRICS! Though we often find plug-ins
to be annoying, this is one that we guarantee will be well worth the
time to download and install.
This month we have changed the page size so that you should
not have to scroll as you watch the score. Just set the player window
to the center of your screen and play.
It won't be much longer that will provide midi versions
so be sure to get the scorch player now as all music from here on out
will be in the Sibelius format. So, to get started, download the Scorch
player from Sibelius right now, then enjoy an astounding musical experience!
The player is available for Mac and PC so all of you can enjoy the experience,
regardless of platform! The player is free and only takes a minute to
download once you get to the Sibelius site, click on the "scorch"
menu item to download. Just click on the button to go to the Sibelius
site and get your free plug-in
ATTENTION WEB-TV USERS!
We want to continue to provide you with access
to our music. We know that the Scorch player will not work with WEB-TV
and are working on an alternative way for you to continue to listen
to our music. Much
of our design of this site was done with WEB-TV in mind and we appreciate
all of you and your visits to our site. Please be assured, we want you
to continue to enjoy ParlorSongs so please keep visiting us. We will
continue to provide the midi versions of our music until we have explored
We are going to take a break from our essays this month and instead
will offer more featured works for your enjoyment. Be sure to come back
next month for an interesting and revealing look at digital preservation
and how we reconstruct some of the sheet music. Our feature next month
will focus on some very rare and fascinating newspaper Sunday supplement
Music by: Louis Koemmenich
Cover artist: Unknown
all cover image links now require the "SCORCH" player to play
the midi file)Picking up where we left off last month,
this first example is a vanity work written for and dedicated to the
Ariel Rowing Club. One such Ariel Rowing Club was based in Worcester,
England. It appears that the Ariel club was the very first rowing club
in Worcester and participated in the first regatta held in Worcester
in 1845. Though we always equate those days with chivalry and sportsmanship,
I was amused to find the following excerpt while researching this work:
The sportsmanship and chivalry of the present day
regattas was not always evident however and betting was rife - for
this was the heyday of the professional gambler and the rewards were
worth a spot of corruption. Accounts of the earlier regattas indeed
make interesting reading. - A Club President sculled himself to a
standstill only to lose to find that a board had been nailed to the
bottom of his boat: coxswains were ditched overboard if crews looked
like losing, in order to lighten the boat: oars were hidden and inferior
ones substituted, indeed, after one such incident and many letters
of accusation and counter accusation to the local press, the Editor
himself remarked that a more thorough piece of blackguardism and blacklogism
never was perpetrated -not even upon the turf!
From the Worcester Rowing
Club page, used with permission.
The reverse of this work is dedicated to an advertisement for Wissner
Pianos, yet another casualty of history. Though I can find reference
to Wissner's built as late as 1934, the trail seems to end there. Wissner
was located in Brooklyn, NY and had offices throughout the NY and Jersey
area as well as in Conn. This work may have been one that was purchased
by Wissner as a giveaway as were some we featured last month.
Musically, this is a typical march from the period, firmly planted
in the European tradition. The composer, Louis Koemmenich was born in
Elberfield, Germany in 1866 and emigrated to the US before 1890. He
set down his roots in NYC and studied with Anton Krause and Barmen.
By 1890 he was a teacher and conductor at Kullak's Academy. He held
various other conducting posts, most notably conducting the Brooklyn
Sangerbund (1894), the New York Oratorio Society (1912 - 17) and the
New York Beethoven Society (1917 - 22). Along with his composition of
marches and other popular works, Koemmenich also composed a number of
choruses and a cantata. He died in NY in 1922
to this stirring march (SCORCH format)
listen to MIDI version
Pansies Bloom Again
Music by: Charles Quinn
Lyrics by: Adam Craig
Cover artist: unknown
The reverse of this work uses a rather straightforward
approach by simply featuring the cover images of several current "popular
hits" available from the publisher. There is a variety shown, from
classical Florentine Waltzes, the whimsical Your Key Don't
Fit This Lock No More and the popular but now offensive coon song,
I Want A Real Coon . This method of use of the back is visually
more enjoyable but may not have been as effective as later methods that
actually presented samples of the music.
Charles Quinn is a pretty obscure composer from the
period, as is his partner Craig. In spite of numerous listings of American
composers and songs, I can find no information about them. Too bad for
the song is pretty good but apparently, it may have been the only one
he ever wrote that was widely circulated.
Regardless of origins, the song is a fun one to listen
to, the lyrics are charming.
this old delight (scorch format)
listen to MIDI version
Little Bug Is Going To Find You
Music by: Silvio Hein
Lyrics by: Benjamin Hapgood Burt and Roy Atwell
Cover artist: unknown
As compared to the previous work, the back of this piece has an entire
page of the music for another work to entice the buyer to purchase it
as well as the current work. Certainly publishers were learning that
once a person tried out a work and listened to a catchy tune, they would
be more likely to buy it. The artwork on the reverse is very nice and
is better than some front covers. Obviously, the publisher wanted to
really sell this one. The question is, on hearing the excerpt, would
you buy the music? Listen to it and decide for yourself. Click here
to see and hear the sample 11 bars of this piece, They
Didn't Believe Me.
My bet is, you would have bought it, millions did as this was one of
Jerome Kern's greatest hit songs, we hear it to this day.
Silvio Hein was born in NY in 1879 and died there in 1928. He did not
publish many songs and his most popular work, He's A Cousin Of Mine
was written in 1906. This song is one of the most delightful novelty
songs I have seen or heard. From a Franz Lehar Operetta, it is absolutely
a gem. Musically it is as humorous as the words are silly. Be sure to
listen to the scorch version of this one so you can read the lyrics!
Listen to this great
old song (scorch format only)
Listen to MIDI version
Half and Half
Music by: Arthur N. Green
Cover artist: unknown
Here is a work where the advertising on the back is more
interesting than the cover! Though the cover is certainly visually descriptive
of the song title, it is definitely a low budget item. In this case
however, the name "Castle" was probably all that was needed
to sell the song. More on that in a moment.
The reverse of this work carries the prior example further,
rather than just one sample, we now have four musical excerpts to try
out. The theme of the sample works is based on the style of the main
work presented; dances. If you are interested in hearing these four
samples, listen to them
here (scorch only). Listen to them and decide if you would buy any
of them, I like the tango.
This work is quite unusual, written in 5/4 time it is
almost a classical piece rather than a dance. However, the Castles were
probably trying to convey a high society image and if you close your
eyes as you listen, you can imagine them slithering across the floor
in a languid manner that just oozes romance. It has a near tango quality.
Vernon and Irene Castle were the most popular dance team during the
period 1912 to around 1918. They created many dances, the most famous
of which was the Castle Walk, a variant of the one-step. They were highly
regarded and had a chain of entertainment centers where they performed
and taught social dancing. Vernon was a flight instructor during WWI
and was tragically killed in a plane crash in 1918. A wonderful film
about them starring Fred Astaire and Ginger Rodgers was made in 1939.
I initially found this piece rather boring and repetitive
however, the more I hear it, the more I like it.
this Castle inspired dance (scorch)
Listen to MIDI version
We hope you are enjoying this month's
feature. For more great songs and stories about the "Flip Side" go
to part B.
The Parlor Songs Academy is an educational website, designated by the "ac" (academic) domain
If you would like to submit an article about America's music for us to publish, go to our submissions page for information about writing articles for us. We also welcome suggestions for subjects for future articles.
Please Help Us Continue our Efforts with a donation. The Parlor Songs Academy. is a Tennessee unincorporated association. Donations go towards the aquisition of additional music, preservation of music, equipment and educational efforts. If you like what we do, please help us out. Donation funds are used entirely for the operating expenses of Parlor Songs and/or aquisition of additional music or equipment.
We realize that there are those who prefer not to transact financial matters on the Internet. If you would like to donate or make a purchase by check, email us for mailing information.
A great deal of work and effort has gone into these pages. The concept, design, images, written text and performance (MIDI and other recordings) of these works,
the web pages, custom images and original content are Copyright ©
1997-2021 by Richard A. Reublin or Richard G. Beil. Before using any of these images, text or performances (MIDI or other recordings), please read our usage policy for standard permissions and those requiring special attention. Thanks.
E-Mail us for more information or comments or read our FAQs to get instant answers to our most often asked questions.
Return to Top of Page